A multimodal approach to visual thinking: the scientific sketchnote
来源期刊：Visual CommunicationDOI：10.1177/1470357218759808
Calibrating the ‘right values’: the role of critical inquiry tasks in social studies textbooks
来源期刊：Visual CommunicationDOI：10.1177/1470357218778876
The semantic and syntactic qualities of paneling in students’ graphic narratives
来源期刊：Visual CommunicationDOI：10.1177/1470357217740393
Forty years of IKEA kitchens and the rise of a neoliberal control of domestic space
来源期刊：Visual CommunicationDOI：10.1177/1470357218762601
Photorealistic computer-generated images are difficult to distinguish from digital photographs: a case study with professional photographers and photo-editors
来源期刊：Visual CommunicationDOI：10.1177/1470357218759809
Multimodal content analysis: expanding analytical approaches to content analysis:
来源期刊：Visual CommunicationDOI：10.1177/1470357219864133
Insertion or voice-off in rendition of graphic codes: an experiment in Persian dubbing:
来源期刊：Visual CommunicationDOI：10.1177/1470357219838599
Building knowledge through images in physics
来源期刊：Visual CommunicationDOI：10.1177/1470357218759825
Bringing metaphors back to the streets: a corpus-based study for the identification and interpretation of rhetorical figures in street art:
来源期刊：Visual CommunicationDOI：10.1177/1470357219877538
Special Issue: The visual politics of the human
来源期刊：Visual CommunicationDOI：10.1177/1470357219846405
What does knowledge look like? Interpreting diagrams as contemporary hieroglyphics
来源期刊：Visual CommunicationDOI：10.1177/1470357218775127
Shifting toward a humanized perspective? Visual framing analysis of the coverage of refugees on CNN and Spiegel Online before and after the iconic photo publication of Alan Kurdi:
来源期刊：Visual CommunicationDOI：10.1177/1470357219832790
Photojournalism as political encounter: western news photography in the 2015 migration ‘crisis’
来源期刊：Visual CommunicationDOI：10.1177/1470357219846381
The use of cartoon illustration for the assessment of social science concepts
来源期刊：Visual CommunicationDOI：10.1177/1470357218759896
Jihadist visual communication strategy: ISIL’s hostage executions video production
来源期刊：Visual CommunicationDOI：10.1177/1470357218803396
Utopia, nostalgia, and femininity: visually promoting the Chinese Dream
来源期刊：Visual CommunicationDOI：10.1177/1470357217740394
Image substitutes and visual fake history: historical images of atrocity of the Ukrainian famine 1932–1933 on social media:
来源期刊：Visual CommunicationDOI：10.1177/1470357219888673
The (in)disputable ‘power’ of images of outrage: public acknowledgement, emotional reaction, and image recognition
来源期刊：Visual CommunicationDOI：10.1177/1470357217749999
Multimodal engagement strategy focusing on a multi-layered voice concept: theory of persuasion in Japanese insurance TV commercials:
来源期刊：Visual CommunicationDOI：10.1177/1470357219854774
“You are what you are in this world”: visual framing and exemplification in media coverage of the Guttenfelder Instagram photographs from North Korea
来源期刊：Visual CommunicationDOI：10.1177/1470357217739336
On the track of visual style: a diachronic study of page composition in comics and its functional motivation:
来源期刊：Visual CommunicationDOI：10.1177/1470357219839101
The use of statistics to define taxonomies of film voices: a practical approach to documentary classification:
来源期刊：Visual CommunicationDOI：10.1177/1470357219850591
Aurora musis amica1: Metaphoric conceptualization of depression in online visual representations:
来源期刊：Visual CommunicationDOI：10.1177/1470357219852140
Everything in place: peace and harmony in an overcrowded home
来源期刊：Visual CommunicationDOI：10.1177/1470357219861813
Investigating intersemiosis: a systemic functional multimodal discourse analysis of the relationship between language and gesture in classroom discourse:
来源期刊：Visual CommunicationDOI：10.1177/1470357218820695
Creating engagement with solutions visuals: testing the effects of problem-oriented versus solution-oriented photojournalism:
来源期刊：Visual CommunicationDOI：10.1177/1470357219838601
Signs of understanding and turns-as-actions: a multimodal analysis of deaf–hearing interaction:
来源期刊：Visual CommunicationDOI：10.1177/1470357219854776
People of immigrant and refugee background sharing experiences of mental health recovery: reflections and recommendations on using digital storytelling:
来源期刊：Visual CommunicationDOI：10.1177/1470357218820651
‘Writing’ oneself into tragedy: visual user practices and spectatorship of the Alan Kurdi images on Instagram:
来源期刊：Visual CommunicationDOI：10.1177/1470357219857118
Studies in the efficacy of motion graphics: the relation between expository motion graphics and the presence of naïve realism
来源期刊：Visual CommunicationDOI：10.1177/1470357217739223
Visual transcriptions as socio-technical assemblages:
来源期刊：Visual CommunicationDOI：10.1177/1470357219852134
Changes in working practices in a rural community of Romania
来源期刊：Visual CommunicationDOI：10.1177/1470357218812206
The graphics of carving
来源期刊：Visual CommunicationDOI：10.1177/1470357219891459
Faceless government: civic action in media photographs during the Venezuelan anti-governmental protests of 2017
来源期刊：Visual CommunicationDOI：10.1177/1470357219890897
Heroes or criminals: discursive representation of cancer patients in health awareness advertisements:
来源期刊：Visual CommunicationDOI：10.1177/1470357219887521
Refugee artists and memories of displacement: a visual semiotics analysis
来源期刊：Visual CommunicationDOI：10.1177/1470357219859042
Exploring the affordances of digital storytelling in a media-arts restorative justice program
来源期刊：Visual CommunicationDOI：10.1177/1470357217752749
From ‘no dogs here!’ to ‘beware of the dog!’: restricting dog signs as a reflection of social norms:
来源期刊：Visual CommunicationDOI：10.1177/1470357219887525
On humanitarian virality: Kony 2012, or, the rise and fall of a pictorial artifact in the digital age
来源期刊：Visual CommunicationDOI：10.1177/1470357219851807
Accelerating semogenesis: an ecosocial approach to photography
来源期刊：Visual CommunicationDOI：10.1177/1470357219887769
Animating the subjugated past: digital greeting cards as a form of counter-memory:
来源期刊：Visual CommunicationDOI：10.1177/1470357219890636
An aesthetics of the human: Peru’s Ojo que Llora memorial
来源期刊：Visual CommunicationDOI：10.1177/1470357219842610
Warmth portrayals to recruit students into science majors
来源期刊：Visual CommunicationDOI：10.1177/1470357219871696
Photographic and cinematic appropriation of atrocity images from Cambodia: auto-genocide in Western museum culture and The Missing Picture
来源期刊：Visual CommunicationDOI：10.1177/1470357217742333
The monument to the children of Villatina: commemorating innocent child victims in the context of lethally stigmatized youth in Colombia
来源期刊：Visual CommunicationDOI：10.1177/1470357219832798
The shared stories that written words tell when no one is reading: exploring modality in typographic landscapes as an ecosocial semiotic system:
来源期刊：Visual CommunicationDOI：10.1177/1470357219860086
Human rights collectives as visual experts: the case of Syrian Archive
来源期刊：Visual CommunicationDOI：10.1177/1470357219851728
Scenarios of countercultural representation: an analysis of inventory books’ visualities:
来源期刊：Visual CommunicationDOI：10.1177/1470357219877560
The production of narrative through static imagery: examples from a peculiar medieval illustration
来源期刊：Visual CommunicationDOI：10.1177/1470357217749998
